The Collection
One medium, read at every distance.
The collection holds both the intimate scale of collector pieces and the architectural records that show what happens to a room once light starts moving through painted glass.
Original Works
Collector pieces with a slower, closer glow.
Select any frame to enter the viewing room

Surface study — gold leaf over sealed pigment
Why It Reads This Way
Never only an image — also a surface, a depth, and a lighting event.
The collection is deliberately not split into “art” versus “installation,” as if those were different practices. The same logic runs through both: a painted surface becomes more alive once the room begins to answer it.
Installation Records
When the medium starts shaping thresholds, walls, and ceilings.
Documented from the studio's project books — devotional, ornamental, and spatial work
Next